Merlin's Wood (Mythago Wood) Read online

  MERLIN’S WOOD

  or

  The Vision of Magic

  ROBERT HOLDSTOCK

  www.sfgateway.com

  Enter the SF Gateway …

  In the last years of the twentieth century (as Wells might have put it), Gollancz, Britain’s oldest and most distinguished science fiction imprint, created the SF and Fantasy Masterworks series. Dedicated to re-publishing the English language’s finest works of SF and Fantasy, most of which were languishing out of print at the time, they were – and remain – landmark lists, consummately fulfilling the original mission statement:

  ‘SF MASTERWORKS is a library of the greatest SF ever written, chosen with the help of today’s leading SF writers and editors. These books show that genuinely innovative SF is as exciting today as when it was first written.’

  Now, as we move inexorably into the twenty-first century, we are delighted to be widening our remit even more. The realities of commercial publishing are such that vast troves of classic SF & Fantasy are almost certainly destined never again to see print. Until very recently, this meant that anyone interested in reading any of these books would have been confined to scouring second-hand bookshops. The advent of digital publishing has changed that paradigm for ever.

  The technology now exists to enable us to make available, for the first time, the entire backlists of an incredibly wide range of classic and modern SF and fantasy authors. Our plan is, at its simplest, to use this technology to build on the success of the SF and Fantasy Masterworks series and to go even further.

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  Contents

  Title Page

  Gateway Introduction

  Contents

  PART ONE: Broceliande

  The People on the Path

  The Stoneshifter’s Tale

  The Songliner’s Tale

  The Lake-finder’s Tale

  The Shape-shifter’s Dream

  PART TWO: The Unquiet Grave

  PART THREE: The Vision of Magic

  Opening the Tomb

  Merlin

  Vivien

  Slow Ghosts

  PART FOUR: The Spirit-Echo’s Promise

  OTHER TALES:

  Scarrowfell

  Thorn

  Earth and Stone

  The Bone Forest

  AFTERWORD:

  Merlin’s Wood: The Vision of Magic

  Website

  Also by Robert Holdstock

  Dedication

  Author Biography

  Copyright

  Then in one moment, she put forth the charm

  Of woven paces and of waving hands,

  And in the hollow oak he lay as dead,

  And lost to life and use and name and fame.

  Then crying ‘I have made his glory mine’,

  And shrieking out ‘O fool!’ the harlot leapt

  Adown the forest, and the thicket closed

  Behind her, and the forest echo’d ‘fool’.

  From ‘Merlin and Vivien’

  part of Idylls of the King

  by Alfred Lord Tennyson

  PART ONE

  Broceliande

  A storm was coming, but the winds were still,

  And in the wild woods of Broceliande,

  Before an oak, so hollow, huge and old

  It look’d a tower of ivied masonwork,

  At Merlin’s feet the wily Vivien lay …

  From Idylls of the King

  The People on the Path

  (A time in childhood)

  The boy’s voice woke Martin from a spirit haunted sleep. It was pitch dark. A fragment of gravel cracked against the bedroom window, and again the voice: ‘Martin! Martin! There are people on the path. Martin!’

  People on the path.

  Martin flung back the blankets and ran to the window. Below, in the faint moonlight, he could see his fair-haired brother Sebastian, pale-faced, and excited. He was pointing to the forest. ‘Martin, there are three of them. Quickly.’

  Martin pulled on his jeans and a grubby white jumper. He opened the window, dropping effortlessly to the ground. The old dog whined and yapped in its kennel, dreaming of the chase, too far away in other lands to be disturbed by this second escape from the farmhouse. Martin ran through the darkness. He vaulted the gate and chased after Sebastian.

  ‘Wait for me!’ he hissed, not wanting to raise his voice and perhaps disturb the people on the path, though he knew this had never happened.

  Where was Sebastian? The moonlight waxed and waned as light cloud drifted over the forest, over the farm. Something ethereal flowed and glowed distantly. Faint birds seemed to be flying upwards, spiralling around the dark shape of a slowly spinning figure.

  The boy who danced was Sebastian. Martin watched amazed as his brother, arms outstretched, danced among the people on the path, moving through the three milky forms, a man, a woman, a tall child with long hair. The child was looking back, nervously. Martin thought it was a girl, but the spectral features were hard to discern. All three moved in slow motion. Their ghostly shapes shed light like streams of plasma, where Sebastian passed through them, his voice a thrill of laughter.

  ‘It feels cold. I can hear their hearts beating – it’s weird. Their breathing too. The man smells of grease and smoke. Come inside, Martin. Quickly. It’s the best yet! It feels like I’m flying and running and swimming all at once – I can fly like an eagle, Martin – come and feel what it’s like.’

  Martin followed his brother up the old path, but he felt apprehensive. There was a shifting, lurking movement in the wood and Martin thought at once of the old bosker, the murderous woodsman who lived among the pools and rocks of the deeper forest. Or perhaps it was Rebecca, spying, always spying on her brothers when they went out onto the path by moonlight.

  The night air carried the strong sour smell of earth, emanating from the spectral figures that had emerged from the edge of Broceliande. The man, looking over his shoulder as he moved slowly along the path, seemed to be watching Martin. His mouth worked as if he were speaking, his face contorted as if in warning. Then he raised an arm and pointed, the pale finger freezing Martin in his tracks. The woman turned slowly. She too seemed to stare at the boy who followed them, unaware of the blond lad who laughed and danced within her insubstantial form.

  At length, Sebastian left the inside of the people on the path. He was shivering, almost ecstatic. ‘It felt strange! The man’s so frightened. They’ve had a vision of something. Like a long, thin bottle, with trees and earth inside. Like the one I drew last time. They’re running away from something. How old, d’you reckon?’

  Martin knew his brother was referring to the historical age of the figures. The people who walked the path sometimes looked quite modern, sometimes came in the uniforms of the cavalry from the time of Napoleon, or even earlier; Martin had once seen a Greek warrior on the path. The women occasionally wore dresses that swirled and sparkled with glass as they moved, but more usually were wrapped in heavy cloaks, or thick furs. But the people he watched tonight were wearing peasants’ clothes and carrying rough sacks over their shoulders. Their hair was long and they had no weapons. They could have come from one of many times.

  Martin shrugged and shivered, walking slowly behind the ghosts on the old track as they steadily ascended the hill to the ruins of the church. There, as they crossed the thorny hedge to the right of the lych gate, the figures began to fade.

  Swinging on the wooden gate, aware of bright moonlight cutting an edge across the hollow tower and the broken walls of the
chapel, Martin and Sebastian watched as the figures began to descend into the earth. The ghosts were outside the defining wall of the cemetery, beyond the hump of the prehistoric mound on which the church had been erected.

  When they were waist high the boys waved and called ‘goodbye’. Soon only the heads could be seen, bobbing through the thistles, and then they too were gone.

  Where the people went from here, none of the children of this or any other time had ever discovered.

  The path from Broceliande continued south into another realm.

  The Stoneshifter’s Tale

  (Fifteen years later …)

  A storm was coming, Martin noticed, as he followed the cart and the coffin along the path around the forest. And yet the winds were still, the air apprehensive, sharp with the first scents of autumn, seeping from the wild woods of Broceliande. As he drifted onwards to the graveyard and his mother’s cold earth home, he watched the dark oaks in the green. Hollow, huge and old, their towering trunks veined and snaked with ivy, they might have been old men, their smooth and spreading roots the shapely limbs of women sprawled at their feet in careful, drowsy thought.

  In those days, as in all days, Broceliande was a terrible place, a ‘glooming’ forest growing over boggy dells, forgotten stones, a place of hidden pools, falls of water and strangling thickets. Cut through by the village road from Gael to Guer, still the true heart of Broceliande could not be found, although the stink of that heart’s corruption oozed from the edgewoods to lie, a sour miasma, over all the farms and hamlets to the west, the direction of the wild sea coast at Quiberon, of the stone-tattooed land at Carnac, the direction of the source of storms.

  Yes, something lay rotting at the heart of the forest, a death that had been known for generations. It was a decaying place, shedding ghosts like autumn leaves. It held the farmsteads in a root-strong grip, the minds of the families too, though sometimes a youth escaped the shadow (to wait too long was to be lost) and Martin was one of these. He had fled that shadow from the forest. He had been sixteen. He had promised that he would return only at his mother’s death, a sad event which had now occurred, calling upon his conscience and his courage.

  Again, then, he walked the slow path by Broceliande, a grieving son, a frightened man, confused by the flow of feeling from the wood.

  Off the western shore the tide was turning, and with the ebbing flow the traveller was finally lowered to her cold earth home. The storm passed to the south as the priest spoke words over the grave, then walked through the two small fires to embrace and commiserate with Martin. The bell in the renovated tower tolled slowly.

  ‘I’m sorry your sister couldn’t be here. Eveline loved her very much. After little Sebastian died …’

  Martin saw how the priest swallowed back the words, but he knew well what the man meant. Sebastian had been a special child to his parents, the deeply loved one; when he was gone, Rebecca had inherited the mantle of affection. Martin, too, would have liked to have seen his sister by the cold earth home, but she was lost, somewhere in the outback of Australia, following songlines, always following songlines.

  Father Gualzator hesitated, shivering slightly as the chill wind blew, sending smoke swirling from the fires, the applewood sweet, the hazelwood smoke more acrid. Behind him, Martin’s uncle Jacques and aunt Suzanne stood in respectful, watching, waiting silence, the old man’s beret clasped at his groin, his long grey hair disturbed by the breeze. His watery eyes were filled with an odd longing; he was longing, certainly, for a cigarette, and to remove the too-tight shirt and tie. But there was something more disturbing him and Martin was aware of it. The priest was agitated, his rosy complexion now brighter with the embarrassment he was feeling. Martin asked him, ‘What is it?’

  ‘There are people on the path. I think they’ve followed us from the wood. Before I sing the hymn, I’d like to let them go.’

  Martin looked back, to the place where the people used to sink below the hill. He could see nothing, sense nothing. The priest was blind to them too, but aware of them. He was a Basque, estranged from his strange land, and his language had given him a form of vision that was denied to the likes of Martin. To speak old was to see old, he had always said, and when Martin had been a boy he and Sebastian, watching the ethereal flow of people on the path, had tested the priest’s ‘old’ eye, and found it unerring.

  A few minutes of strained silence later the priest relaxed. ‘They’ve gone,’ he whispered, and turned back to the cold home. He tugged the rope that held the lid of the coffin and exposed the three linen-wrapped packs. He sang softly as he poured spring water along the length, then the breadth of each part of the traveller. Martin watched, remembering, as red berries and white were dropped carefully onto the wet linen. The flask of honey and the sack of meat were lowered, and then the small sun-wheel, resting on the traveller’s chest. The lid was replaced, earth was scattered and more familiar words were uttered: ‘Dust to dust, flesh to the fire …’

  It was over. Jacques steered the ageing dray back to Eveline’s farm, the cart riding smoothly on newly greased axles, the priest leaning forward on his knees, staring back at the rebuilt church. Martin was comforted by the over-attentive Suzanne, whose black veil continually blew in his face as she held his arm, held the side of the cart, and talked non-stop about the traveller, Eveline, and the years of her trials and tribulations. Martin was not unaware that he was being gently criticised for having stayed away so long and he repeatedly tried to change the subject, talking about Amsterdam, the design business he ran – but Suzanne was quite single-minded.

  Jacques had prepared a stew of rabbit and pheasant in red wine; the priest offered a whole coeur de brie, a succulent cheese which Martin had not tasted in years; and Suzanne had baked bread. There were several stone jars of still cider, and brandy wine.

  They sat at the pine table, warmed by the smell of cooked wine and fragrant wood burning on the open fire; they raised their glasses to the traveller and spoke her full name aloud, ‘Eveline Mathilde la-coeur-forte Laroche’.

  Jacques was then allowed his single cigarette, which he smoked silently, curling the cigarette inside his fingers as he pinched the tip, inhaling deeply and staring at his empty plate.

  When he announced that he wished to smoke another he was told sharply that he couldn’t, but he glanced at Martin, defied Suzanne and rose from the table, lighting-up as he moved and cocking his head meaningfully to the door. Suzanne poured herself more cider. Father Gualzator reached for the brandy, which he blessed (with a mischievous grin at the woman) before tipping the bottle to his glass.

  Outside in the cold dusk, Jacques said, ‘I don’t know if you’re intending to stay, but if you are you should come to the Quiberon peninsular with me. Maybe tomorrow, although I think it’ll be a stormy day. What do you think? Will you stay?’

  Puzzled by the man’s words, Martin nodded, accepted a cigarette and lit it. Distantly a fox barked, and the wide scatter of hens moved suddenly towards the shelter of the shed. ‘I have to stay. I have to sell the farm, clear up the paperwork, settle the taxes. I’ll be here for a few days. Why Quiberon?’

  ‘It’s where your grandfather died, just after the war.’

  ‘Oh yes. Of course. Eveline would never take me there …’

  ‘Your mother was only twelve. My little sister. I was only a year older but I felt a lot of responsibility for her. How things changed!’

  ‘Why go back now?’

  ‘I want to tell you what happened to me. And to Eveline. I’ve never spoken about it, and nor did she, not as far as I know. But now I think I must. If only to encourage you to leave Broceliande, and not endanger your own life.’

  ‘That’s what Eveline said to me in her last letter.’ Martin drew the envelope from his jacket pocket and removed the single sheet of blue writing paper. His mother’s handwriting was neat and precise. He read aloud, ‘You were always the sensible one. You avoided the path and I think you must have avoided the danger. I do h
ope so. If you come back to Broceliande, please don’t stay. I have always enjoyed the trips to Amsterdam. You have always been a loving presence in my life. I don’t need you at the farm when I finally travel on. It would be better to avoid danger and stay in the city where you have made such a good life for yourself. Please think carefully about these words and say the same to Rebecca, if you ever find her.’

  Jacques lit his third cigarette, glancing almost guiltily back at the house, but Suzanne’s voice was raised with laughter and the glasses were clinking.

  ‘For a reason I don’t fully understand she was very worried about you coming back. There are so many strange things about this place – the ghosts, the wood, the lost memories. We’ve all experienced them. They are part of life, our life, we take them for granted. But there’s something not quite right. Something wrong. Something has changed in the last few years. I can’t explain it. The priest has seen it. We probably all felt it when Eveline died, seven days ago. She seems to have been acutely aware of it. She was very concerned for you.’

  ‘The evil in the heart of the wood …’ Martin mused aloud, staring into the night.

  ‘As I say – it’s hard to know. But I would like you to come to Quiberon. Hear my own nightmare. It may help, it may not. It might help you understand your brother’s death a little more. I don’t know. But Eveline didn’t want you to stay here. And the only way I have of persuading you to leave is to share my nightmare. It’s up to you, then, to decide whether you should handle Eveline’s affairs from here, or from your house in Amsterdam.’

  The next day Jacques drove Martin to the sea-drenched cliffs of the western coast of Brittany, arriving in sleeting rain, below a grey sky that moved effortlessly over them from sea-horizon to misted hills behind.

  As Jacques drove, he hunched forward in the seat of the old Citroën, peering through the running water on the windscreen, occasionally recognising a place name and exclaiming, ‘There! It’s OK. Now I know where I am!’ or ‘Hell and damnation. That last signpost must have been wrong. These damned coastal people.’